Brian Auger has always demonstrated a rare devotion and dedication toward developing new musical forms. Equally comfortable with pop, R&B, and jazz, Auger was a founding member of the group, Steampacket, which helped launch the careers of singers Long John Baldry, Julie Driscoll, and Rod Stewart. Partnering with Julie Driscoll, Auger formed the Trinity, which recorded some of the most intriguing albums of the late 1960s, achieving international recognition for their cover of Dylan’s “This Wheel’s On Fire” in 1968. Straddling jazz, rhythm & blues, folk, gospel and pop in equal measure, the Trinity albums refused to be categorized. Auger’s intention was to overlay soulful pop rhythms with jazz harmonies and solos and his late-1960s recordings exemplify this unique approach. Following the demise of the Trinity, he formed Brian Auger’s Oblivion Express at the dawn of the 1970s, another genre-defying group that would gain him much wider recognition, eventually entering the jazz, pop and R&B charts simultaneously.